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congregation when entering or leaving the building! So, their true functions gone, are obsolete forms retained for the sake of their picturesqueness, which seems wrong art to me; rather should we attempt to build for the needs of the present, and make those needs ornamental—to construct soundly, and be content to adorn such construction. The architects of old, I trow, did not introduce gargoyles for the sake of ornament; they made them to throw the rain from off their roofs and walls, purely for utility; then they proceeded to carve and make them presentable, and converted an ugly excrescence into a thing of beauty or quaintness, as the spirit moved them, but either way they were interesting. Now that we have invented rain-water pipes—which, let it be frankly owned, answer the purpose far better than the old-fashioned gargoyles—we should seek, in the spirit of the past, to make beautiful or quaint the headings of the same. Here is a sadly neglected and legitimate opportunity to introduce the much-needed decoration that does decorate, and thus add an interest to our houses they so much need. Instead of this, we are too often content with "stuck on" ornaments, which do not ornament, serve no need, and merely profit the builder's pocket.

But to return to the old Buckden Palace gateway. Though externally the brick and stone work is in fair condition, the structure is but a skeleton; however, this fact adds to its picturesqueness, and with the better-preserved towers beyond, it helps to form a very pleasing group. When we were there the ruined tower was in the possession of a flock of