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Rh these old documents. I recommend in particular a passage in a letter John Adams wrote to his wife from Paris. It impressed me so when I came upon it, it seemed to me such an admirable explanation of a situation perplexing to critics, that I copied it in my notebook, and I cannot resist quoting it now.

"It is not indeed the fine arts which our country requires," he writes, "the useful, the mechanic arts are those which we have occasion for in a young country as yet simple and not far advanced in luxury, although much too far for her age and character. . . . The science of government it is my duty to study, more than all other sciences; the arts of legislation and administration and negotiation ought to take place of, indeed to exclude, in a manner, all other arts. I must study politics and war, that my sons may have liberty to study mathematics and philosophy. My sons ought to study mathematics and philosophy, geography, natural history and naval architecture, navigation, commerce and agriculture, in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry, and porcelain."

John Adams and his contemporaries may not have had American grandfathers with the leisure to earn for them the right to study art, but they did not ignore it. All the time they felt its appeal and responded to the appeal as well as busy men, absorbed in the development of a new country, could. They got themselves painted whenever