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232 many more artists have come out of them, how much more work that counts?

However, the good done by the Centennial is not to be sought in the solid profits and losses that can be weighed in a practical balance. It went deeper. Philadelphia was the better for being impressed with the reason of its own importance which it had taken on faith, and for being reminded that the world outside of Philadelphia was not a howling wilderness. I, individually, gained by the widening of my horizon and the stirring of my interest. But the Centennial did not teach me how to think about, or use, what I had learned from it. When it was at an end, I returned placidly to my occupation of doing nothing.