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 252 and the post-office, and you see a large building devoted to art. The galleries are longer and fuller than any others on this continent. New York, Philadelphia, and Boston are far below Mexico in these treasures. They occupy some eight or ten long rooms, and are of every age from the time of the conquest until now. Not a few of them are of much merit. They even claim Murillos among the spoils of the convents that have been transferred hither.

Modern art is not wanting, nor inferior. Seldom can you see on European walls more vigorous paintings than those of Noah and his family receiving the dove. It is a remarkable set of figures, every one a study, every one a life. Columbus contemplating the sea is a superb piece of work. Dante and Virgil looking into hell is awfully vivid. Mr. Seward expressed a desire for a copy of this masterly work. Several Ishmaels and Hagars are on the walls. It seems a favorite theme. Best of all, for drawing and effective handling of colors, is the Dead Monk. Rembrandt rarely exceeded it. A group of monks hang over a dead brother. Their gray cowls and robes, their scared and skeleton faces, their lights dimly glowing from the tapers in their hands, which are the only illumination of the room, and the dead prone in the midst the only calm one; these make a ghastly picture of great power and tenderness.

The galleries of sculpture are less advanced. Most of the groups are in plaster, money being wanted to put them into stone. What is better than the galleries is the school of art. You see in several rooms, as you pass through and along the corridors, quite a string of youths, bending over their drawing-books and canvas. They are fine-looking lads of all shades and blood: Spanish, Aztec, and all between. They have as instructors the best artists of the city, and they are worthy of the time and cost lavished upon them. When shall our America give her lads equal opportunity? The best artists of our chief cities would be glad to render such service, and many a noble youth would be glad to have it rendered. What school board will be the first to open a real school of art? When that is done, we shall find our starveling galleries