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Rh That she was perfect in her beauty I cannot ask the muses to say, but that she will some day become so, I think the goddesses may be requested to prophesy. At present she was very slight, and appeared to be almost too tall for her form. She was indeed above the average height of women, and from her brother encountered some ridicule on this head; but not the less were all her movements soft, graceful, and fawnlike as should be those of a young girl. She was still at this time a child in heart and spirit, and could have played as a child had not the instinct of a woman taught to her the expediency of a staid demeanour. There is nothing among the wonders of womanhood more wonderful than this, that the young mind and young heart—hearts and minds young as youth can make them, and in their natures as gay,—can assume the gravity and discretion of threescore years and maintain it successfully before all comers. And this is done, not as a lesson that has been taught, but as the result of an instinct implanted from the birth. Let us remember the mirth of our sisters in our homes, and their altered demeanours when those homes were opened to strangers; and remember also that this change had come from the inward working of their own feminine natures!

But I am altogether departing from Madeline Staveley’s external graces. It was a pity almost that she should ever have become grave, because with her it was her smile that was so lovely. She smiled with her whole face. There was at such moments a peculiar laughing light in her gray eyes, which inspired one with an earnest desire to be in her confidence; she smiled with her soft cheek, the light tints of which would become a shade more pink from the excitement, as they softly rippled into dimples; she smiled with her forehead which would catch the light from her eyes and arch itself in its glory; but above all she smiled with her mouth, just showing, but hardly showing, the beauty of the pearls within. I never saw the face of a woman whose mouth was equal in pure beauty, in beauty that was expressive of feeling, to that of Madeline Staveley. Many have I seen with a richer lip, with a more luxurious curve, much more tempting as baits to the villainy and rudeness of man; but never one that told so much by its own mute eloquence of a woman's happy heart and a woman's happy beauty. It was lovely as I have said in its mirth, but if possible it was still more lovely in its woe; for then the lips would separate, and the breath would come, and in the emotion of her suffering the life of her beauty would be unrestrained.

Her face was oval, and some might say that it was almost too thin; they might say so till they knew it well, but would never say so when they did so know it. Her complexion was not clear, though it would be wrong to call her a brunette. Her face and forehead were never brown, but yet she could not boast the pure pink and