Page:Oriental Scenery — One Hundred and Fifty Views of the Architecture, Antiquities, and Landscape Scenery of Hindoostan.djvu/298

Rh with their heavenly suite, by Ravana. 11, Vira-Baddra, (one of the titles of the god Rama). 12, Visweswara-Maha-Deva, (Maha-Deva in the character of universal lord). 13, Western entrance. 14, The steps leading up from a tank, which appears in the first of the general views, No. 4, in the margin. 15, A gallery over the staircase. 16,16, An area. 17,17, Dark chambers. 18, The temple of Maha-Deva. 19, The idol. 20,20,20,20, Guards of a gigantic size, each with a female figure standing by his side. The general height of this excavation is about seventeen feet, but the part in which the temple of Maha-Deva stands is eighteen feet six inches; the length from the rocky wall of the area, No. 3, to the steps, 14, leading to the tank already mentioned, is about two hundred feet. There are in this cave, as well as in the others, the remains of painting, but principally on the ceiling. The heads of the figures here are generally adorned with highly decorated tiaras, and the thighs of some of the men have Cholnas, or short drawers, but no other part of their drapery could be discriminated.

 JUNWASSA.

, or the place of nuptials. No. 1, The verandah. 2 and 3, Recesses. 4,4, Female figures with chowries. 5, The recess of the temple. 6,6, Gigantic male figures, Chand and Prachand, with their attendants. 7, The temple of Maha-Deva. 8, The idol; the height of the verandah sixteen feet, the recess of the temple thirteen feet.

Another part of the Junwassa is described by Sir Charles Warre Malet, in the sixth volume of the Asiatic Researches, and is the nearest to the waterfall; it is about eighty feet in length, including the recesses at the end; and nearly thirty in breadth, taking in the verandah, which formerly had a row of pillars in front, but now nearly all destroyed.

Both these excavations are marked by No. 5, in the margin of the first general view. No. 6, Comar Warra, the next cave to the right; the entrance to which is obstructed by fragments of the fallen pillars, formerly six in number, and two pilasters supported the roof of the verandah, on which is sculptured Surya, or the sun, in his chariot drawn by seven horses. The first apartment is eighty feet in length and thirty wide, the interior is not so long; a pedestal is remaining, but no figure in the recess of the idol, the door of which is guarded by two gigantic figures, called Dwara-Pala, or door-keepers.

 RAMESWARA.

situation of the Rameswara is marked in the second general view of Ellora by No. 7 in the margin, being directly under it. There is an area to this excavation, in the centre of which, No. 1, is the bull Nandi couchant. 2, A cistern of very fine water. 3,3, Female figures. The front of this cave is supported by four pillars and two pilasters of considerable beauty, and elaborately sculptured. A female figure, on the left hand pilaster, has much grace. It is worthy notice, that the figures in the latter caves have universally highly ornamented head-dresses, different from the first, which have only curled hair. 4, The entrance. 5, The large ball, fifteen feet in height. 6, A curious group of skeleton figures, said to represent a miser, his wife, son, and daughter, all praying in vain for food, while two thieves are carrying off his wealth. 7, The horse Chanda. 8, Kala Bhiru, the principal figure being in a dancing attitude, and musicians in the group. 9, Re-entering the hall from the recess, on the right is a group of Maha-Deva and Parvati, playing at chess, with Narad sitting between them, stimulating a feud, to which Parvati, by the throw of her right hand, seems well disposed, which is below represented as having taken place. 10,10, Female figures. 11, Gowra and Parvati in heaven, supported by Ravana. 12, Bhawani Mayisasur. 13, The nuptials of Raja Janaka, at which there is a great attendance of figures, and amongst them, one holding a cocoa-nut used on such solemnities. Below are sitting Ganesa, Brahma, &c. officiating at the marriage ceremony, 14, The Swami Kartika (the leader of the celestial armies) with his peacock and two attendants. On each side of the door of the temple in the recess, 15,15, are two gigantic and two smaller figures. Many of the pillars of this excavation are elaborately ornamented. Very near this cave is another small one, containing the sexual emblem called Linga or Lingam; and still a little further, another of considerable dimensions, but quite plain, and almost choked up both within and at the entry. There are also three or four other excavations of the same rank between the last-mentioned and the great work of Kailas, or the heaven of the gods.

Near to the last described is the temple of Nila-Kantha Maha-Deva. (Vide Plans C.) In the area, No. 1, is the bull Nandi, in a square enclosure, on which time has made its ravages. No. 2, A detached apartment (called Hom ka jaygi, or Place of sacrifice) containing an assemblage of ten figures, the size of life. In this assemblage is Rudrayana, Brahma, Siva, Varana, &c.; most of these figures have four arms. You ascend into the cave by a few steps, on each side of which, on the wall at the extremities, are two figures, 3,3, that seem to be of a military order. 4, The god Kartika. 5,5, Lakshmi. 6, Ganesa, mutilated of his trunk. 7, The apartment of the Devas, or gods, with the Linga of Maha-Deva. The sculpture in this cave is not so good as in most of the others.

Durvasa Rishi, (a famous saint, whose name is given to the cave), (Vide Plans C.) is near the former, and is an excavation of considerable size, but not remarkable for its decorations. On each side the door of the recess is a gigantic figure. 1, 1, The recess. 2, Is without an idol. Height of the cave fourteen feet. 