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The success of "The House of Shams" was as immediate and complete as was the social success of its author. After a few faint-hearted attempts, Philip and Elizabeth both agreed that the wisest course was to play the bold game—to submit himself to the photographer, the interviewer, and, to some judicious extent, to the wave of hospitality which flowed in upon him from all sides. He threw aside, completely and utterly, every idea of leading a more or less sheltered life. His photograph was in the Sunday newspapers and the magazines. It was quite easy, in satisfying the appetite of journalists for copious personal details, especially after the hints dropped by Mr. Fink, to keep them carefully off the subject of his immediate past. There had been many others in the world who, on attaining fame, had preferred to gloss over their earlier history. It seemed to be tacitly understood amongst this wonderful freemasonry of newspaper men that Mr. Merton Ware was to be humoured in this way. He was a man of the present. Character sketches of him were to be all foreground. But, nevertheless, Philip had his trials.

"Want to introduce you to one of our chief 'movie' men," Noel Bridges said to him one day in the smoking room of "The Lambs." "He is much