Page:One Hundred Poems Kabir (1915).djvu/31

Rh of pleasure and pain,” Kabīr finds them governing the creative acts of God. His manifestation is love; His activity is joy. Creation springs from one glad act of affirmation: the Everlasting Yea, perpetually uttered within the depths of the Divine Nature. In accordance with this concept of the universe as a Love-Game which eternally goes forward, a progressive manifestation of Brahma--one of the many notions which he adopted from the common stock of Hindu religious ideas, and illuminated by his poetic genius--movement, rhythm, perpetual change, forms an integral part of Kabīr’s vision of Reality. Though the Eternal and Absolute is ever present to his consciousness, yet his concept of the Divine Nature is essentially dynamic. It is by the symbols of motion that he most