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7, 1863.] poor and pompous. He tells lies which bring hot blushes into his daughter’s beautiful face. I am very sorry for her.”

took his daughter away from the station in one of those secondary and cheaper vehicles which are distinguished by the discriminating Parisian by some mysterious difference of badge. The close, stifling carriage rattled over the uneven stones of long streets which were unfamiliar to Eleanor Vane, until it emerged into the full glory of the lighted Boulevard. The light-hearted school-girl could not suppress a cry of rapture as she looked once more at the broad thoroughfare, the dazzling lamps, the crowd, the theatres, the cafés, the beauty and splendour, although she had spent her summer holiday in Paris only a year before.

“It seems so beautiful again, papa,” she said, “just as if I’d never seen it before; and I’m to stop here now, and never, never to leave you again, to go away for such a cruel distance. You don’t know how unhappy I’ve been, sometimes, papa dear. I wouldn’t tell you then, for fear of making you uneasy; but I can tell you now, now that it’s all over.”

“Unhappy!” gasped the old man, clenching his fist, “they’ve not been unkind to you—they’ve not dared—”

“Oh, no, dearest father. They’ve been very, very good. I was quite a favourite, papa. Yes, though there were so many rich girls in the school, and I was only a half-boarder, I was quite a favourite with Miss Bennett and Miss Lavinia; though I know I was careless and lazy sometimes, not on purpose, you know, papa, for I tried hard to get on with my education, for your sake, darling. No, everybody was very kind to me, papa; but I used to think sometimes how far I was from you; what miles and miles and miles of sea and land there were between us, and that if you should be ill—I—”

Eleanor Vane broke down, and her father clasped her in his arms, and cried over her silently. The tears came with very little provocation to the old man’s handsome blue eyes. He was of that sanguine temperament which to the last preserves the fondest delusions of youth. At seventy-five years of age he hoped and dreamed and deluded himself as foolishly as he had done at seventeen. His sanguine temperament had been for ever leading him astray for more than sixty years. Severe judges called George Vane a liar; but perhaps his shallow romances, his pitiful boasts, were very often highly-coloured versions of the truth, rather than actual falsehood.

It was past twelve o’clock when the carriage drove away from the lights and splendour into the darkness of a labyrinth of quiet streets behind the Madeleine. The Rue l’Archevèque was one of these dingy and quiet streets, very narrow, very close and stifling in the hot August midnight. The vehicle stopped abruptly at a corner, before a little shop, the shutters of which were closed, of course, at this hour.

“It is a butcher’s shop, I am sorry to say, my love,” Mr. Vane said, apologetically, as he handed his daughter on to the pavement; “but I find myself very comfortable here, and it is conveniently adjacent to the Boulevards.”

The old man paid the driver, who had deposited mademoiselle’s box upon the threshold of the little door beside the butcher’s shop. The pour-boire was not a very large one, but Mr. Vane bestowed it with the air of a prince. He pushed open the low door, and took his daughter into a narrow passage. There was no porter or portress, for the butcher’s shop and the apartments belonging to it were abnormal altogether; but there was a candle and box of matches on a shelf in a corner of the steep corkscrew staircase. The driver carried Eleanor’s box as far as the entresol in consideration of his pour-boire, but departed while Mr. Vane was opening the door of an apartment facing the staircase.

The entresol consisted of three little rooms, opening one out of another, and so small and low that Miss Vane almost fancied herself in a doll’s house. Every article of furniture in the stifling little apartment bore the impress of its nationality. Tawdry curtains of figured damask, resplendent with dirty tulips and monster roses, tarnished ormolu mouldings, a gilded clock with a cracked dial and a broken shade, a pair of rickety bronze candlesticks, a couple of uncompromising chairs covered with dusty green velvet and relieved by brass-headed nails, and a square table with a long trailing cover of the same material as the curtains completed the adornments of the sitting-room. The bed-chambers were smaller, closer, and hotter. Voluminous worsted curtains falling before the narrow windows, and smothering the little beds, made the stifling atmosphere yet more stifling. The low ceilings seemed to rest on the top of poor Eleanor’s head. She had been accustomed to large, airy rooms and broad, uncurtained open windows.

“How hot it is here, papa,” she said, drawing a long breath.

“It always is hot in Paris at this time of year, my dear,” Mr. Vane answered; “the rooms are small you see, but convenient. That is to be your bed-room, my love,” he added, indicating one of the little chambers.

He was evidently habituated to Parisian lodging houses, and saw no discomfort in the tawdry grandeur, the shabby splendour, the pitiful attempt to substitute scraps of gilding and patches of velvet for the common necessaries and decencies of life.

“And now let me look at you, my dear; let me look at you, Eleanor.”

George Mowbray Vane set the candlestick upon the rusty velvet cover of the low mantelpiece, and drew his daughter towards him. She had thrown off her bonnet and loose grey cloak, and stood before her father in her scanty muslin frock with all her auburn hair hanging about her face and shoulders, and glittering in the dim light of that one scrap of wax candle.

“My pet, how beautiful you have grown, how beautiful!” the old man said, with an accent of fond tenderness. “We’ll teach Mrs. Bannister a lesson some of these days, Eleanor. Yes, our