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 16 who had succoured her in the day of her desolation, but the Signora’s habits of independence were not to be conquered, and Mrs. Monckton found there was very little that Eliza Picirillo would consent to accept from her.

She had insisted upon removing the music-mistress from the eccentric regions of the Pilasters to a comfortable first-floor in Dudley Street. She had furnished this new shelter with easy chairs, and Brussels carpets, an Erard’s piano, and proof impressions of the Signora’s favourite pictures; and in doing this she had very nearly exhausted her first year’s income, much to the satisfaction of Gilbert Monckton, who implored her to call upon him freely for any money she might want for her friends.

It pleased him to see her do these things. It was a delight to him to see her thus tenderly grateful to the friends of her adversity.

“A mercenary woman would have cast off these humble associations,” he thought: “this girl must be the noble creature I believed her to be, when I flung down my happiness for the second time at a woman’s feet.”

But although Eleanor would have gladly lavished every shilling she possessed upon Eliza Picirillo and her nephew, she could not persuade either the music-mistress or the scene-painter to work less hard than it had been their wont to do for many wearisome years. The Signora still went from house to house in attendance upon her out-of-door pupils, and still received young ladies bent on wearing the laurel crown of the lyric drama. Richard still painted snow-clad mountain-tops, and impossible Alpine passes, impracticably prosperous villages, and wide-spreading farm-lands of yellow corn, bounded by rustic white palings, and inhabited by husbandmen in linen gaiters and chintz waistcoats. It was in vain, therefore, that Mrs. Monckton had hitherto implored her friends to come to Tolldale, and it was only in consequence of a very serious misunderstanding with Messrs. Spavin and Cromshaw, which for a time threw the scene-painter out of employment, that Richard Thornton was able to respond to Eleanor’s earnest appeal.

A January that had been bleaker and colder than even January is expected to be, was drawing to a close, when Signora Picirillo and her nephew arrived at the Priory. The woods round Tolldale were shrouded with snow, the broad lawns before Woodlands were as white as Richard’s Alpine passes, and Maurice de Crespigny had been for many weeks a prisoner to the house. Laura’s wedding-day was appointed for the fifteenth of March, and that young lady was, when unoccupied by her lover’s society, entirely absorbed in the millinery and mantua-making necessary for the preparation of her bridal outfit.

Richard Thornton had considerably modified the eccentric fashion of his beard, and had bought a new suit of clothes in honour of his fair young hostess. The scene-painter had not seen Eleanor since the morning on which he had fled away from the Pilasters to hide his sorrows amongst the swamps of Battersea. The meeting, therefore, was a painful one to him; all the more painful, perhaps, because Mrs. Monckton received him with the frankly affectionate welcome which she would have bestowed upon a brother.

“You must help me, Dick,” she said, “for the sake of others, if not for my sake; you cannot now refuse to fathom this mystery. If Launcelot Darrell is the man I believe him to be, he is no fit husband for an affectionate and trusting girl. He has no right to inherit Maurice de Crespigny’s fortune! The marriage between Laura and this man is to take place upon the fifteenth of March. Maurice de Crespigny may die to-morrow. We have very little time before us, Richard.”

So Mr. Thornton was fain to obey the imperious young lady, who had been in the habit of ordering him about ever since those old days in which he had kept rabbits and silkworms for her gratification. He set himself to his task very faithfully, and did his best to become acquainted with Launcelot Darrell’s character.

The well-born young artist, who meant to do something very great in the Academy, at his earliest convenience, treated the scene-painter with a supercilious good-nature that was by no means agreeable to Mr. Thornton.

Dick had resolved not to be prejudiced against Eleanor’s fancied enemy, lest that young lady’s vehement impulses should have led her into rather an awkward mistake; but there was something in the insolent assurance of Launcelot Darrell that aroused Richard’s indignation, and it was not without an effort that he contrived to be commonly civil to poor Laura’s affianced husband.

Launcelot dined at Tolldale upon the evening of the arrival of Eleanor’s guests, and it was at the dinner-table that Richard first had an opportunity of observing the man he had been entreated to watch. Mr. Monckton, sitting at the bottom of the table, and looking at his wife athwart a glittering array of glass and silver, became aware of a change in Eleanor’s manner. A change that mystified and bewildered him, but which was not altogether unpleasant to him.

The lawyer’s jealousy had been chiefly aroused by the perpetual uneasiness of Eleanor’s manner when Launcelot Darrell was present; by the furtive, yet unguarded watch which she kept upon the young man’s movements. To-night, for the first time, her manner had changed. It was no longer Launcelot Darrell, but Richard Thornton whom she watched.

Following every varying expression of her face, Gilbert Monckton saw that she looked at the scene-painter with an earnest, questioning, appealing glance, that seemed to demand something of him, or urge him on to the performance of something that she wanted done. Looking from his wife to Richard, the lawyer saw that Launcelot Darrell was still watched, but this time the eyes that observed him were those of the Signora’s nephew.

Mr. Monckton felt very much like a spectator, who looks on at a drama which is being acted in a language that is unknown to him. The dramatis personæ come in, they are earnest or vehement, joyous or sorrowful, as the case may be, but not having any clue to the plot, the wretched looker-on can scarcely feel intense delight in the performance.