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 should receive so much notice; and a total effect quite different from Homer's is thus produced. Therefore Mr Newman, though he does not purposely import, like Chapman, conceits of his own into the Iliad, does actually import them; for the result of his singular diction is to raise ideas, and odd ideas, not raised by the corresponding diction in Homer; and Chapman himself does no more. Cowper says: 'I have cautiously avoided all terms of new invention, with an abundance of which persons of more ingenuity than judgment have not enriched our language but encumbered it'; and this critcism so exactly hits the diction of Mr Newman that one is irresistibly led to imagine his present appearance in the flesh to be at least his second.

A translator cannot well have a Homeric rapidity, style, diction, and quality of thought, without at the same time having what is the result of these in Homer,—nobleness. Therefore I do not attempt to lay down any rules for obtaining this effect of nobleness,—the effect, too, of all others the most impalpable, the most irreducible to rule, and which most depends on the individual personality of the artist. So I proceed at once to give you, in conclusion, one or two passages in which I have tried to follow those principles of Homeric translation which I have laid down. I give them, it must be remembered, not as specimens of