Page:On the border with Crook - Bourke - 1892.djvu/113

 the cottonwood saplings which, braced upon other saplings, did duty as benches in the corral near the quartermaster's, it was because that man, woman, or child was sick, or in jail. It is astonishing how much enjoyment can be gotten out of life when people set about the task in dead earnest.

There were gross violations of all the possibilities, of all the congruities, of all the unities in the play, "Elena y Jorge," presented to an appreciative public the first evening I saw the Mexican strolling heavy-tragedy company in its glory. But what cared we? The scene was lighted by bon-fires, by great torches of wood, and by the row of smoking foot-lights running along the front of the little stage.

The admission was regulated according to a peculiar plan: for Mexicans it was fifty cents, but for Americans, one dollar, because the Americans had more money. Another unique feature was the concentration of all the small boys in the first row, closest to the actors, and the clowns who were constantly running about, falling head over heels over the youngsters, and in other ways managing to keep the audience in the best of humor during the rather long intervals between the acts.

The old ladies who sat bunched up on the seats a little farther in rear seemed to be more deeply moved by the trials of the heroine than the men or boys, who continued placidly to puff cigarettes or munch sweet quinces, as their ages and tastes dictated. It was a most harrowing, sanguinary play. The plot needs very few words. Elena, young, beautiful, rich, patriotic; old uncle, miser, traitor, mercenary, anxious to sell lovely heiress to French officer for gold; French officer, coward, liar, poltroon, steeped in every crime known to man, anxious to wed lovely heiress for her money alone; Jorge, young, beautiful, brave, conscientious, an expert in the art of war, in love with heiress for her own sweet sake, but kept from her side by the wicked uncle and his own desire to drive the last cursed despot from the fair land of his fathers.

(Dirge, by the orchestra; cries of "Muere!" (i.e., May he die! or, Let him die!) from the semi-circle of boys, who ceased work upon their quinces "for this occasion only.")

I despised that French officer, and couldn't for the life of me understand how any nation, no matter how depraved, could afford to keep such a creature upon its military rolls. I don't