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 XV sublimity, or, in history, Thucydides. For by our fixing an eye of rivalry on those high examples they will become like beacons to guide us, and will perhaps lift up our souls to the fulness of the stature we conceive. And it would be still better should we try to realise this further thought, How would Homer, had he been here, or how would Demosthenes, have listened to what I have written, or how would they have been affected by it? For what higher incentive to exertion could a writer have than to imagine such judges or such an audience of his works, and to give an account of his writings with heroes like these to criticise and look on? Yet more inspiring would be the thought, With what feelings will future ages through all time read these my works? If this should awaken a fear in any writer that he will not be intelligible to his contemporaries it will necessarily follow that the conceptions "of his mind will be crude, maimed, and abortive, and lacking that ripe perfection which alone can win the applause of ages to come.



The dignity, grandeur, and energy of a style largely depend on a proper employment of images, a term which I prefer to that usually given. The