Page:On the Sublime 1890.djvu/30

xxvi. Boileau so much misconceived these lofty ideas that he regarded “Longinus’s” judgment as solely that “of good sense,” and held that, in his time, “nothing was good or bad till he had spoken.” But there is far more than good sense, there is high poetic imagination and moral greatness, in the criticism of our author, who certainly would have rejected Boileau’s compliment when he selects Longinus as a literary dictator.

Indeed we almost grudge our author’s choice of a subject. He who wrote that “it was not in nature’s plan for us, her children, to be base and ignoble; no, she brought us into life as into some great field of contest,” should have had another field of contest than literary criticism. It is almost a pity that we have to doubt the tradition, according to which our author was Longinus, and, being but a rhetorician, greatly dared and bravely died. Taking literature for his theme, he wanders away into grammar, into considerations of tropes and figures, plurals and singulars, trumpery mechanical pedantries, as we think now, to whom grammar is no longer, as of old, “a new invented game.” Moreover, he has to give examples of the faults opposed to sublimity, he has to dive into and search the bathos, to dally over examples of the bombastic, the over-wrought, the puerile. These faults are not the sins of “minds generous and aspiring,” and we have them with us