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 was his highly natural salutation (i.e. natural to Charles Ryan), and I came along accordingly.

Kilfera station was a comfortable bachelor homestead, and it struck me, as I saw it for the first time, that it had a distinctly "Galway" look about it. The hospitality was free and unstinted. I was not the only guest. As we rode up we came upon a match at quoits, the players at which wore the air of non-combatants. There was a fine upstanding son of Peter Fin, "Modderidderoo" by name, in the stables; on the next day I was shown the very panel where Mr. Jack Hunter had jumped "The Badger" over a three-railed fence, without bridle or saddle.

"We saw him coming up the paddock," said my host (he had gone down to catch his horse and taken no bridle with him), "at a swinging hand-gallop, and all turned out of the verandah to look. He had only a switch in his hand; when he came to the creek he took it at a fly, and then faced the three -railed fence at the stable. He went over here—over this very rail—and came down sitting as square as if he was riding in the park, holding his hat, too, in both hands." "How did he stop the horse?" "He jumped off on the straw heap here, and fell on his legs like a cat." I had a slight previous acquaintance with the gentleman referred to, whose whilom sobriquet of "Jack the Devil" was fully deserved, as far as feats of horsemanship were concerned. He rode equally well in a side-saddle, and once at least defied the minions of the law decorously attired in a lady's riding habit, with hat, gloves, and whip to match.