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 Whether Marie was connected with the Court of Henry the Second and his brilliant and artistic queen, Eleanor of Aquitaine, where learned men and poets congregated, we do not know, but it seems a very fair conjecture that she was. Not only does she dedicate her principal work to the king and his son, Count William, but her stories are coloured with the courtly life and ideas of her time, notwithstanding the simplicity of the fundamental theme. It is doubtful whether any one unacquainted with the teaching of the Courts of Love, such as they were in the twelfth century, would have made the compulsory quest of love the keynote of a story, as, for instance, Marie does in the "Lay of Guigemar." These Courts of Love, though not so elaborate, yet seemingly as imperious, as those of the fourteenth century, formed one of the semi-serious pastimes of the Middle Ages, and although it may be that they were often mere forms of entertainment, no self-respecting person could afford to disregard their rules or decisions. The cardinal doctrine was that love was necessary to a man's moral, social, and aesthetic training. Hence if it did not arise of itself, it must be sought for, and, like its counterpart in the spiritual world, come at, if needs be, through much tribulation.

Owing to Henry's possessions in France through inheritance, marriage, and the many ties of relationship which united the royal families of both countries, England and France