Page:Of Six Mediaeval Women (1913).djvu/61

 fourth-century Greek legend. Whilst she does not display any originality in elaborating the story, but keeps carefully to the text—so much so that at times she merely transcribes—she reveals her artistic as well as her psychological instinct by concentrating the essentials, thereby transforming a rather discursive composition into a poignant picture. The subtle touches, the sentiment, and the dialogue so pathetic and so true to nature, make this drama verily her masterpiece, and one worthy of a place beside the delicate and dramatic miniatures of the time. In a few words, here is the story. A holy man, by name Abraham, has abandoned a life of solitude in order to take care of his young orphaned niece. After a few years, she is tempted to a house of ill fame. Some two years later, her uncle, having discovered her whereabouts, determines to exchange his hermit garb for that of a man of the world, and go to the house in the guise of a lover, so as to get an opportunity of speaking with his niece alone. Of course she does not recognise him in his change of costume, and when he asks for a kiss, she puts her arms round his neck, and suddenly detects a strange perfume. Instantly a change comes over her. The scent recalls to her her former unsullied life, and tears fill her eyes. At the fitting moment the uncle makes himself known, and showing her with sweet words of sympathy and encouragement that sin is natural to humanity, and that