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 so assiduously was it pursued, that the status of a monastery or a convent, as a centre of learning, came to be estimated by its wealth in MSS. Besides the mass of transcribing which such rivalry occasioned, there was illuminating to be done, musical notation to be studied and prepared for the services of the Church, chants and choir-singing to be practised, and the needful time to be devoted to weaving and embroidery—a part of every woman's education. Weaving had of necessity to be done in every convent in order to provide the requisite clothing for its inmates, and the large and often elaborate hangings used for covering the walls. Embroidery, on the other hand, was no mere occupation, or even a craft, but in truth a fine art. The few specimens still preserved give some idea of the quality of the work, whilst old inventories attest the quantity. Illuminated MSS. of the Gospels and the Apocalypse were lent from royal treasuries, and their miniatures were copied, with needle and silk, to adorn vestments and altar hangings. Then at Gandersheim, as we have already said, the occasional visits of princely travellers brought interest and diversion from the outside world. It was in an atmosphere such as this that Roswitha passed her days.

Of her work, the metrical legends seem her earliest effort. In these, though they are mainly based on well-known themes, Roswitha shows much originality in description. Whilst they need not detain us, passing reference may be