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 at Bourges. Here doubtless many a time Agnes and the king were entertained. Hither Jacques returned from sundry journeys to the East, laden with treasures to beautify his surroundings. Hence he fled, the victim of success. Over the principal entrance is a canopied recess, once sheltering an equestrian statue destroyed during the Revolution. This now empty space once held a statue of King Charles the Seventh, armed cap-à-pie on a galloping caparisoned charger, as he may be seen represented on medals of the period. It is not a little significant of this thankless monarch that he here seems to be turning his back on the house of his faithful servant and supporter, and to be riding away. Other details worthy of mention in this Book of Hours are the realistic background to the picture of the Visit of the Magi, with its snow-covered village church, houses, and fields; the Italian drug-pot in the Magdalen's hands in the scene of the Crucifixion, showing the intimate intercourse with Italy; and the Mater Dolorosa seated alone at the foot of the Cross,—a tragic note taken from the Mystery of the Passion.

There is only one unanimous opinion concerning Agnes Sorel, and that is as to her beauty. For the rest, it would seem as if prejudice and flattery held the scales. The mean is difficult to discover, and perhaps it is only possible to get somewhere near it by studying results the remarkable change, as already noticed, in Charles's life and conduct whilst under her influence.