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 in the East, and particularly in India, where the conditions of domestic life led to and favoured intrigue, and many of them also were mere allegory, in which the Eastern sought to hide great truths. These the less meditative Western interpreted literally, mistaking the outward form for that which it concealed. So in passing to the West, Eastern ideas and Eastern exaggeration, misconstrued, became caricature. Moreover, the compilers of these stories were often monks or minstrels who vied with each other for popular favour, the monk introducing into his legends material which he hoped would rival the often shameless outpourings of the minstrel, whilst the minstrel, for his part, tried to adorn his story with some moral. Naturally neither class of such purveyors was in the least capable of judging woman with respect, or indeed of judging woman at all.

On the other hand, however, it must be remembered that there are stories that tell a very different tale, a tale of self-sacrifice and devotion in face of grievous trial, as, for instance, that of Eric and Enide, sung by Chrétien of Troyes, and made familiar to us by Tennyson's poem of "Geraint and Enid." It is impossible that such a conception should have been the mere outcome of the poet's imagination, since a poet, whilst he may transform, focuses and reflects the