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 Scelleur, of Paris, a carver of combs and toilet articles as well as of crucifixes and Virgins, is named as her principal craftsman. Mention is made of a Cross carved by him in cedar-wood with an ivory figure of the Christ, and of two ivory figures of the Virgin, one under a canopy, and the other with the Holy Child poised upon the hip, that sublime motive belonging more especially to the thirteenth century. The chapel itself was beautified with carved work in stone. Over the Altar, and in front of it, were painted panels, enriched with gold, and translucent enamel over colour. If we could picture to ourselves the manner of the sculptor's work we may recall the "Vine-Capital" in Rheims Cathedral, where the very stone itself seems to have been metamorphosed into tender foliage by the unknown artist.

Of wood-carving, the accounts tell of Choir-stalls, presses for vestments and various vessels and ornaments, and also of Angels, gilded and painted and bearing the emblems of the Passion, for standing round the High Altar. These are described as being raised on slender columns, connected by a bar on which were laced fringed silk curtains, thus forming a recess for the Altar. We can get some idea of the simple beauty of this arrangement from a drawing, still preserved in the sacristy of Arras Cathedral, of the High Altar in the old Cathedral, and fortunately made before the latter, with all its contents, was destroyed in the sixteenth century. It accords