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 three-legged and folding stools, were placed about the room. At one side of the room was a large oak chair of state with a cushioned seat, and possibly canopied, and close to it a lectern, with hinged candle-brackets, from which Mahaut could the more easily read her MSS., which were often rolled, and difficult to manipulate. In front of this seat was a table, at which any messengers or retainers stood when they sought an interview, or the Countess demanded one. Here also she transacted with her stewards and other agents the business connected with her various castles and her many philanthropic undertakings. Other rooms were painted in plain colour, and hung on special occasions with embroideries and tapestries. Others, again, were decorated with set designs, square or zigzag, in imitation of brickwork, such as may be seen in the Chapel of St. Faith, Westminster Abbey, or with subjects or colour after which they were named. Thus we find mention of the "Parrakeet" room, from the birds painted on the walls, the "Blue" room, from its colour, the rooms of "Roses," of "Vines," and of "Fleurs-de-lis," the room of "Shields," from its frieze of armorial bearings, and that of "Song," from verses traced on the walls, taken from the favourite pastoral of "Robin and Marion," and probably associated with little scenes from the same idyll. The ceilings, with beams and joists painted red, were coloured either green or blue, and strewn with tin stars coated with yellow or