Page:Of Six Mediaeval Women (1913).djvu/162

 accounts, and of its probable arrangement from contemporary plans, illuminated MSS., and pictures. Its walls were adorned with a frieze composed of heads of the kings of France, moulded in plaster and surmounted by crowns of gilded or lacquered tin, below which, on a coloured ground, were fastened fleurs-de-lis, likewise of tin similarly treated. At the end of the room was a bed, a large wooden structure surrounded by a footboard and laced across with cords on which were laid mattresses, a feather bed (sometimes, if we may judge from miniatures, used during the day as a seat on the floor), many cushions, linen or silk sheets, and a fur-lined coverlet. From rods on the ceiling hung curtains which completely enclosed it at night, but which were drawn back and looped up during the day, when the bed was used as a divan. At night a small oil lamp with a floating wick was hung within the curtains, and near the bed was a bénitier. At the side, separated by a narrow space, there were fixed seats for the accommodation of those who interviewed the Countess before she rose. There was a large open fireplace with a bench in front of it which had a movable back, so that the occupant could sit either facing the fire or with his back to it. Close by were wickerwork firescreens, capable of being raised or lowered at will. Against the walls there were carved chests, enriched with colour, and chairs with leather seats and wickerwork backs, as well as