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 from the Dominicans, who found special favour in her sight, and that they greatly influenced her own prophetic warnings to the Church.

From these objective conditions which, whilst influencing Mechthild's own thoughts and works, might and did, however differently, influence the work of others as well, we turn to the consideration of her work as the expression of her own poetic soul, welling up from depths filled with love for the highest and most divine things. Before all else we recognise how richly endowed she was with visionary powers and poetic feeling. She revels in beautiful fantasies, as, for instance, when she says, "If I were to speak one little word of the choirs of heaven, it would be no more than the honey that a bee can carry away on its feet from a full-blown flower." With rapture she touches upon the deepest questions of the soul's life, and the highest truths and mysteries of belief, so that in her flights of contemplation her prose becomes poetry, impelled, like some torrent, by the rush of her emotion.

But even so, she does not lose the sense of form or of the picturesque. Some of her writings are clothed in language recalling the Song of Songs,