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 Halle, whilst the seventh, consisting of sundry visions and teachings during the last years of her life, was put together just before her death at Helfta in 1282, and, as she pathetically adds, "by strange eyes and hands." In all of these, whilst reflecting in them her inmost feelings, she expresses her entire dependence on spiritual help and inspiration. "The writing of this book," she says, "is seen and heard and felt in every limb. I see it with the eyes of my soul, and hear it with the ears of my eternal spirit, and feel in every part of my body the power of the Holy Ghost."

The general tenor of her writings is contemplative and prophetic. Whilst, as a contemplative, she reminds us of Suso, as a reformer, proclaiming her prophetic warnings, she recalls to us St. Hildegarde, though the latter was a more astute and powerful reasoner. It would seem as if, in general, there are two conflicting tendencies in minds such as Mechthild's, a tendency to tradition—in her case, of course, church tradition—and a tendency to definite self-expression. With Mechthild it was certainly that of self-expression which predominated, for whilst, with her, both co-operated to make a beautiful whole, it was in detail and ornament, so to speak, rather than in the design itself, that she showed her special qualities and gifts. Further, as a mystic, she may be classed with those "for whom mysticism is above all things an intimate and personal relation, the satisfaction of a deep desire," and who therefore fall back "upon