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translated generally; but Horace's meaning is special, referring to Mæcenas' office of prefect of the city.

complains of the editors for specifying the interlocutors as Horace and Lydia, which he thinks as incongruous as if in an English amcebean ode Collins were to appear side by side with Phyllis. The remark may be just as affects the Latin, though Ode 19 of the present Book, and Odes 33 and 36 of Book I, might be adduced to show that Horace does not object to mixing Latin and Greek names in the same poem; but it does not apply to a translation, where to the English reader's apprehension Horace and Lydia will seem equally real, equally fanciful.

was doubtless vain of his pedigree; Horace accordingly banters him good-humouredly by spending two stanzas out of four in giving him his proper ancestral designation. To shorten the address by leaving out a stanza, as some critics and some translators have done, is simply to rob Horace's trifle of its point.

is something harsh in the expression of the fourth stanza of this Ode in the Latin. Tentare cannot stand without an object, and to connect it, as the commentators do, with deos is awkward. I was going to remark that possibly some future Bentley would conjecture certare, or litare, when I found that certare had been anticipated by Peerlkamp, who, if not a Bentley, was a Bentleian. But it would not be easy to account for the corruption, as the