Page:Notes and Queries - Series 1 - Volume 1.djvu/447

MAY 4. 1850.]

NOTES AND QUERIES.

437 

I have great pleasure in forwarding to you an anecdote of the captivity of Charles I., which I think will be considered interesting to your readers. Of its authenticity there can be no doubt. I extract it from a small paper book, purchased some fifty years since, at Newport, in the Isle of Wight, which contains the history of a family named Douglas, for some years resident in that town, written by the last representative, Eliza Douglas, at the sale of whose effects it came into my grandfather's hands. There are many curious particulars in it besides the anecdote I have sent you; especially an account of the writer's great-great-grandfather (the husband of the heroine of this tale), who "traded abroad, and was took into Turkey as a slave," and there gained the affections of his master's daughter, after the most approved old-ballad fashion; though, alas! it was not to her love that he owed his liberty, but (dreadful bathos!) to his skill in "cooking fowls, &c. &c. in the English taste;" which, on a certain occasion, when some English merchants came to dine with his master, "so pleased the company, that they offered to redeem him, which was accepted; and when freed he came home to England, and lived in London to an advanced age; so old that they fed him with a tea-spoon."

After his death his wife married again; and it was during this second marriage that the interview with King Charles took place.

E. V. 



The rector of Slimbridge, in the diocese of Gloucester, is bound to pay ten pounds a year to Magdalen College, for "choir music on the top of the College tower on May-day." (See Rudder's Gloucestershire.) Some years ago a prospectus was issued, announcing as in preparation, "The Maudeleyne Grace, including the Hymnus Eucharisticus, with the music by Dr. Rogers, as sung every year on May Morning, on the Tower of Magdalene College, Oxford, in Latin and English. With an Historical Introduction by William Henry Black." Can any of your readers inform me whether this interesting work ever made its appearance? I am inclined to think it did not, and have an indistinct recollection that the original MS. of the "Grace" was lost through the carelessness of the lithographer who was entrusted with it for the purpose of making a fac-simile.

Whilst making some researches in the library of Christ Church, Oxford, I accidentally met with what appears to me to be the first draft of the "Grace" in question. It commences "Te Deum Patrem colimus" and has the following note:—"This Hymn is sung every day in Magdalen College Hall, Oxon, dinner and supper throughout the year for the after grace, by the chaplains, clarkes, and choristers there. Composed by Benjamin Rogers, Doctor of Musique of the University of Oxon, 1685." It is entered in a folio volume, with this note on the fly-leaf,—"Ben Rogers, his book, Aug. 18. 1673, and presented me by Mr. John Playford, Stationer in the Temple, London." The Latin Grace, Te Deum Patrem colimus, is popularly supposed to be the Hymnus Eucharisticus written by Dr. Nathaniel Ingelo, and sung at the civic feast at Guildhall on the 5th July, 1660, while the king and the other royal personages were at dinner; but this is a mistake, for the words of Ingelo's hymn, very different from the Magdalen hymn, still exist, and are to be found in Wood's collection in the Ashmolean Museum. The music, too, of the Te Deum is in a grand religious style, and not of a festal character.

 

The custom of addressing almost every man above the rank of an artizan or a huckster as "Esquire," seems now to be settled as a matter of ordinary politeness and courtesy; whilst the degradation of the gentleman into the "Gent," has caused this term, as the title of a social class, to have fallen into total disuse. Originally, they were terms that had their respective meanings as much as Duke, Knight, Yeoman, or Hind; but now they simply mean courtesy or contempt towards 