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 made it only the stronger. It had presented itself to them at the instant when the woman's instinct of devotion and the man's instinct of activity receive from the strongest of illusions their most powerful impulse. The very prohibition imposed the necessity of success. It was as if they had been morally bound to make good their vigorous view of life against the unnatural error of weariness and despair. If the idea of wealth was present to them it was only so far as it was bound with that other success. Mrs. Gould, an orphan from early childhood and without fortune, brought up in an atmosphere of intellectual interests, had never considered the aspects of great wealth. They were too remote, and she had not learned that they were desirable. On the other hand, she had not known anything of absolute want. Even the very poverty of her aunt, the Marchesa, had nothing intolerable to a refined mind; it seemed in accord with a great grief; it had the austerity of a sacrifice offered to a noble ideal. Thus even the most legitimate touch of materialism was wanting in Mrs. Gould's character. The dead man of whom she thought with tenderness (because he was Charley's father) and with some impatience (because he had been weak), must be put completely in the wrong. Nothing else would do to keep their prosperity without a stain on its only real, on its immaterial side!

Charles Gould, on his part, had been obliged to keep the idea of wealth well to the fore; but he brought it forward as a means, not as an end. Unless the mine was good business it could not be touched. He had to insist on that aspect of the enterprise. It was his lever to move men who had capital. And Charles