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 proper reply in the principal room, littered with exploded cartridges, with a lot of broken glass, blood smears, candlesticks, and all sorts of wreckage on the floor. But all this is nonsense. Nobody in the town has any real power except the railway engineers, whose men occupy the dismantled houses acquired by the company for their town station on one side of the Plaza, and Nostromo, whose cargadores were sleeping under the Arcades, along the front of Anzam's shops. A fire of broken furniture out of the Intendencia saloons, mostly gilt, was burning on the Plaza, in a high flame swaying right upon the statue of Charles IV. The dead body of a man was lying on the steps of the pedestal, his arms thrown wide open, and his sombrero covering his face—the attention of some friend, perhaps. The light of the flames touched the foliage of the first-trees on the Alameda, and played on the end of a side street near by, blocked up by a jumble of ox-carts and dead bullocks. Sitting on one of the carcasses, a lepero, muffled up, smoked a cigarette. It was a truce, you understand. The only other living being on the Plaza besides ourselves was a cargador, walking to and fro, with a long, bare knife in his hand, like a sentry before the Arcades, where his friends were sleeping. And the only other spot of light in the dark town were the lighted windows of the club, at the corner of the calle."

After having written so far, Don Martin Decoud, the exotic dandy of the Parisian boulevard, got up and walked across the sanded floor of the café at one end of the albergo of United Italy, kept by Giorgio Viola, the old companion of Garibaldi. The highly colored lithograph of the Faithful Hero seemed to look dimly,