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highly mystical, but of no great degree of elegance or excellence, and their prevailing feature is a tone of complaint of the misery of mankind.


 * a Prophecy. Lambeth; Printed by William Blake, in the year 1795; folio; eighteen plates or twenty pages, including the frontispiece and title-page. After a preludium of thirty-seven lines commences the Prophecy of 226, which are interspersed with numerous head-pieces, vignettes, and tail-pieces, usually stretching along the left-hand margin and enclosing the text; which sometimes appears written on a cloud, and at others environed by flames and water. Of the latter subject a very fine specimen is shown upon page 13, where the tail-piece represents the bottom of the sea, with various fishes coming together to prey upon a dead body. The head-piece is another dead body lying on the surface of the waters, with an eagle feeding upon it with outstretched wings. Another instance of Mr. Blake's favourite figure of the old man entering at Death's door, is contained on page 12 of this poem. The subject of the text is a conversation between the Angel of Albion, the Angels of the Thirteen States, Washington, and some others of the American Generals, and "Red Orc," the spirit of war and evil. The verses are without rhyme, and most resemble hexameters, though they are by no means exact; and the expressions are mystical in a very high degree.


 * a Prophecy. Lambeth; Printed by William Blake, 1794; folio; seventeen plates on the leaves, inclusive of the frontispiece and title-page. Coloured to imitate the ancient fresco-painting. The Preludium consists of thirty-three lines, in stanzas without rhyme, and the Prophecy of two hundred and eight; the decorations to which are larger than most of those in the former book, and approach nearest to the character of paintings, since, in several instances, they occupy the whole page. The frontispiece is an uncommonly