Page:Night and Day (1919).pdf/70

64 lighted train drawing itself smoothly over Hungerford Bridge.

“It means, I should say, that he finds you chilly and unsympathetic.”

Katharine laughed with round, separate notes of genuine amusement.

“It’s time I jumped into a cab and hid myself in my own house,” she exclaimed.

“Would your mother object to my being seen with you? No one could possibly recognize us, could they?” Rodney inquired, with some solicitude.

Katharine looked at him, and perceiving that his solicitude was genuine, she laughed again, but with an ironical note in her laughter.

“You may laugh, Katharine, but I can tell you that if any of your friends saw us together at this time of night they would talk about it, and I should find that very disagreeable. But why do you laugh?”

“I don’t know. Because you’re such a queer mixture, I think. You’re half poet and half old maid.”

“I know I always seem to you highly ridiculous. But I can’t help having inherited certain traditions and trying to put them into practice.”

“Nonsense, William. You may come of the oldest family in Devonshire, but that’s no reason why you should mind being seen alone with me on the Embankment.”

“I’m ten years older than you are, Katharine, and I know more of the world than you do.”

“Very well. Leave me and go home.”

Rodney looked back over his shoulder and perceived that they were being followed at a short distance by a taxi-cab, which evidently awaited his summons. Katharine saw it, too, and exclaimed:

“Don’t call that cab for me, William. I shall walk.”

“Nonsense, Katharine; you’ll do nothing of the kind.