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 in the first days of spring, has buds that open and flowers that suddenly shake their petals—white, purple, or crimson—in competition with the display in the garden beds, although these city flowers are merely so many doors flung wide in Bond Street and the neighbourhood, inviting you to look at a picture, or hear a symphony, or merely crowd and crush yourself among all sorts of vocal, excitable, brightly coloured human beings. But, all the same, it is no mean rival to the quieter process of vegetable florescence. Whether or not there is a generous motive at the root, a desire to share and impart, or whether the animation is purely that of insensate fervour and friction, the effect, while it lasts, certainly encourages those who are young, and those who are ignorant, to think the world one great bazaar, with banners fluttering and divans heaped with spoils from every quarter of the globe for their delight.

As Cassandra Otway went about London provided with shillings that opened turnstiles, or more often with large white cards that disregarded turnstiles, the city seemed to her the most lavish and hospitable of hosts. After visiting the National Gallery, or Hertford House, or hearing Brahms or Beethoven at the Bechstein Hall, she would come back to find a new person awaiting her, in whose soul were imbedded some grains of the invaluable substance which she still called reality, and still believed that she could find. The Hilberys, as the saying is, “knew every one,” and that arrogant claim was certainly upheld by the number of houses which, within a certain