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 she thought, a little sad. “But what horrid, horrid thoughts,” she wound up, laying down her napkin and pushing her chair back. “Come, let us find something more cheerful to talk about upstairs.”

Upstairs in the drawing-room Cassandra found fresh sources of pleasure, first in the distinguished and expectant look of the room, and then in the chance of exercising her divining-rod upon a new assortment of human beings. But the low tones of the women, their meditative silences, the beauty which, to her at least, shone even from black satin and the knobs of amber which encircled elderly necks, changed her wish to chatter to a more subdued desire merely to watch and to whisper. She entered with delight into an atmosphere in which private matters were being interchanged freely, almost in monosyllables, by the older women who now accepted her as one of themselves. Her expression became very gentle and sympathetic, as if she, too, were full of solicitude for the world which was somehow being cared for, managed and deprecated by Aunt Maggie and Aunt Eleanor. After a time she perceived that Katharine was outside the community in some way, and, suddenly, she threw aside her wisdom and gentleness and concern and began to laugh.

“What are you laughing at?” Katharine asked.

A joke so foolish and unfilial wasn’t worth explaining.

“It was nothing—ridiculous—in the worst of taste, but still, if you half shut your eyes and looked” Katharine half shut her eyes and looked, but she looked in the wrong direction, and Cassandra laughed more than ever, and was still laughing and doing her best to explain in a whisper that Aunt Eleanor, through half-shut eyes, was like the parrot in the cage at Stogdon House, when the gentlemen came in and Rodney walked straight up to them and wanted to know what they were laughing at.