Page:Night and Day (1919).pdf/369

 luxury and bareness, its silk dressing-gowns and crimson slippers, its shabby carpet and bare walls, had a powerful air of Katharine herself; she stood in the middle of the room and enjoyed the sensation; and then, with a desire to finger what her cousin was in the habit of fingering, Cassandra began to take down the books which stood in a row upon the shelf above the bed. In most houses this shelf is the ledge upon which the last relics of religious belief lodge themselves as if, late at night, in the heart of privacy, people, sceptical by day, find solace in sipping one draught of the old charm for such sorrows or perplexities as may steal from their hiding-places in the dark. But there was no hymn-book here. By their battered covers and enigmatical contents, Cassandra judged them to be old school-books belonging to Uncle Trevor, and piously, though eccentrically, preserved by his daughter. There was no end, she thought, to the unexpectedness of Katharine. She had once had a passion for geometry herself, and, curled upon Katharine’s quilt, she became absorbed in trying to remember how far she had forgotten what she once knew. Katharine, coming in a little later, found her deep in this characteristic pursuit.

“My dear,” Cassandra exclaimed, shaking the book at her cousin, “my whole life’s changed from this moment! I must write the man’s name down at once, or I shall forget”

Whose name, what book, which life was changed Katharine proceeded to ascertain. She began to lay aside her clothes hurriedly, for she was very late.

“May I sit and watch you?” Cassandra asked, shutting up her book. “I got ready on purpose.”

“Oh, you’re ready, are you?” said Katharine, half turning in the midst of her operations, and looking at Cassandra, who sat, clasping her knees, on the edge of the bed.

“There are people dining here,” she said, taking in the