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 now in the Latin splendour of the tongue, and stored with memories, as she was, of old poets exuberating in an infinity of vocables. Even Katharine was slightly affected against her better judgment by her mother’s enthusiasm. Not that her judgment could altogether acquiesce in the necessity for a study of Shakespeare’s sonnets as a preliminary to the fifth chapter of her grandfather’s biography. Beginning with a perfectly frivolous jest, Mrs. Hilbery had evolved a theory that Anne Hathaway had a way, among other things, of writing Shakespeare’s sonnets; the idea, struck out to enliven a party of professors, who forwarded a number of privately printed manuals within the next few days for her instruction, had submerged her in a flood of Elizabethan literature; she had come half to believe in her joke, which was, she said, at least as good as other people’s facts, and all her fancy for the time being centred upon Stratford-on-Avon. She had a plan, she told Katharine, when, rather later than usual, Katharine came into the room the morning after her walk by the river, for visiting Shakespeare’s tomb. Any fact about the poet had become, for the moment, of far greater interest to her than the immediate present, and the certainty that there was existing in England a spot of ground where Shakespeare had undoubtedly stood, where his very bones lay directly beneath one’s feet, was so absorbing to her on this particular occasion that she greeted her daughter with the exclamation:

“D’you think he ever passed this house?”

The question, for the moment, seemed to Katharine to have reference to Ralph Denham.

“On his way to Blackfriars, I mean,” Mrs. Hilbery continued, “for you know the latest discovery is that he owned a house there.”

Katharine still looked about her in perplexity, and Mrs. Hilbery added:

“Which is a proof that he wasn’t as poor as they’ve