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 office than he expected, sat down to pick out the melodies in “The Magic Flute” upon the piano. Katharine was late, but that was nothing new, and, as she had no particular liking for music, and he felt in the mood for it, perhaps it was as well. This defect in Katharine was the more strange, William reflected, because, as a rule, the women of her family were unusually musical. Her cousin, Cassandra Otway, for example, had a very fine taste in music, and he had charming recollections of her in a light fantastic attitude, playing the flute in the morning-room at Stogdon House. He recalled with pleasure the amusing way in which her nose, long like all the Otway noses, seemed to extend itself into the flute, as if she were some inimitably graceful species of musical mole. The little picture suggested very happily her melodious and whimsical temperament. The enthusiasms of a young girl of distinguished upbringing appealed to William, and suggested a thousand ways in which, with his training and accomplishments, he could be of service to her. She ought to be given the chance of hearing good music, as it is played by those who have inherited the great tradition. Moreover, from one or two remarks let fall in the course of conversation, he thought it possible that she had what Katharine professed to lack, a passionate, if untaught, appreciation of literature. He had lent her his play. Meanwhile, as Katharine was certain to be late, and “The Magic Flute” is nothing without a voice, he felt inclined to spend the time of waiting in writing a letter to Cassandra, exhorting her to read Pope in preference to Dostoevsky, until her feeling for form was more highly developed. He set himself down to compose this piece of advice in a shape which was light and playful, and yet did no injury to a cause which he had near at heart, when he heard Katharine upon the stairs. A moment later it was plain that he had been mistaken; it was not Katharine; but he could not settle himself to his letter. His temper had changed from