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that same black night, almost, indeed, into the very same layer of starlit air, Katharine Hilbery was now gazing, although not with a view to the prospects of a fine day for duck shooting on the morrow. She was walking up and down a gravel path in the garden of Stogdon House, her sight of the heavens being partially intercepted by the light leafless hoops of a pergola. Thus a spray of clematis would completely obscure Cassiopeia, or blot out with its black pattern myriads of miles of the Milky Way. At the end of the pergola, however, there was a stone seat, from which the sky could be seen completely swept clear of any earthly interruption, save to the right, indeed, where a line of elm-trees was beautifully sprinkled with stars, and a low stable building had a full drop of quivering silver just issuing from the mouth of the chimney. It was a moonless night, but the light of the stars was sufficient to show the outline of the young woman’s form, and the shape of her face gazing gravely, indeed almost sternly, into the sky. She had come out into the winter’s night, which was mild enough, not so much to look with scientific eyes upon the stars, as to shake herself free from certain purely terrestrial discontents. Much as a literary person in like circumstances would begin, absent-mindedly, pulling out volume after volume, so she stepped into the garden in order to have the stars at hand, even though she did not look at them. Not to be happy, when she was supposed to be happier than she would ever be again—that, as far as she could see, was the origin of a discontent which had begun