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220 "This is Mr. Lenville, who does our first tragedy, Mr. Johnson," said the pantomimist.

"Except when old bricks and mortar takes it into his head to do it himself, you should add, Tommy," remarked Mr. Lenville. "You know who bricks and mortar is, I suppose, Sir?"

"I do not, indeed," replied Nicholas.

"We call Crummles that, because his style of acting is rather in the heavy and ponderous way," said Mr. Lenville. "I mustn't be cracking jokes though, for I've got a part of twelve lengths here which I must be up in to-morrow night, and I haven't had time to look at it yet; I'm a confounded quick study, that's one comfort."

Consoling himself with this reflection, Mr. Lenville drew from his coat-pocket a greasy and crumpled manuscript, and having made another pass at his friend proceeded to walk to and fro, conning it to himself, and indulging occasionally in such appropriate action as his imagination and the text suggested.

A pretty general muster of the company had by this time taken place; for besides Mr. Lenville and his friend Tommy, there was present a slim young gentleman with weak eyes, who played the low-spirited lovers and sang tenor songs, and who had come arm-in-arm with the comic countryman—a man with a turned-up nose, large mouth, broad face, and staring eyes. Making himself very amiable to the infant phenomenon, was an inebriated elderly gentleman in the last depths of shabbiness, who played the calm and virtuous old men; and paying especial court to Mrs. Crummles was another elderly gentleman, a shade more respectable, who played the irascible old men—those funny fellows who have nephews in the army, and perpetually run about with thick sticks to compel them to marry heiresses. Besides these, there was a roving-looking person in a rough great-coat, who strode up and down in front of the lamps, flourishing a dress cane, and rattling away in an undertone with great vivacity for the amusement of an ideal audience. He was not quite so young as he had been, and his figure was rather running to seed; but there was an air of exaggerated gentility about him, which bespoke the hero of swaggering comedy. There was also a little group of three or four young men, with lantern jaws and thick eyebrows, who were conversing in one corner; but they seemed to be of secondary importance, and laughed and talked together without attracting any very marked attention.

The ladies were gathered in a little knot by themselves round the rickety table before mentioned. There was Miss Snevellicci, who could do anything from a medley dance to Lady Macbeth, and always played some part in blue silk knee-smalls at her benefit, glancing from the depths of her coal-scuttle straw bonnet at Nicholas, and affecting to be absorbed in the recital of a diverting story to her friend Miss Ledrook, who had brought her work, and was making up a ruff in the most natural manner possible. There was Miss Belvawney, who seldom aspired to speaking parts, and usually went on as a page in white silk hose, to stand with one leg bent and contemplate the audience, or to go in and out after Mr. Crummles in stately tragedy, twisting up the ringlets of the beautiful Miss Bravassa, who had once had her