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106 style. The background is all speckled with bright stains—blots of white napery on the tables, and candles shaded with glass "lampions" of various tints, forming spots of many a colour. There is a twinkling mingled with a tinkling: the rays of electric blossoms over our heads, and around us the jingling of cups and glasses, join together in a seething tumult.

This is a life apart. Not the daily round of appearances—the mere mask which hides life,—but life immediate, naked, real. You see here that in spite of all it is possible to be merry and to care for nothing. Here are no unsightly garments, no clumsy inartistic motions; no children (that most objectionable element in life!); no "respectable" women, who are to be recognized by their ugliness, their want of style and charm, their tediousness and stupidity, and the fact that, when they think at all, they are always hopelessly depressed. This is a very good illustration of the "Law of Selection": in marriage, the qualities of virtue and fidelity are of more account as guarantees of felicity than such endowments as beauty and health. Beautiful women of a lively temperament are set aside as too knowing, too exacting, and of doubtful