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 its rider discharge a firearm, and they imagined that the flash and the report had proceeded from the creature. The sight of the idol aroused such wrath in the zealous bosom of a certain Spanish monk that he broke it with a huge stone—and, but for the interference of the cacique, would have suffered death for his temerity. Peten was a city "filled with idols," as was Tayasal, close at hand, where in the seventeenth century no less than nine new temples were built, which goes to prove that the native religion was by no means extinct. One of these new temples, according to Villagutierre, had a Spanish balcony of hewn stone! In the Temple of the Sun at Tikal, an adjoining city, is a wonderful altar panel, representing an unknown deity, and here also are many of those marvellously carved idols of which Stephens gives such capital illustrations in his fascinating book.

Copan

Copan, one of the most interesting of these wondrous city-centres, the name of which has, indeed, become almost a household word, is in the same district as the towns just described, and abounds chiefly in monolithic images. It yielded after a desperate struggle to Hernandez de Chaves, one of Alvarado's lieutenants, in 1530. The monolithic images so abundantly represented here are evolved from the stelæ and the bas-relief, and are not statues in the proper sense of the term, as they are not completely cut away from the stone background out of which they were carved. An altar found at Copan exhibits real skill in sculpture, the head-dresses, ornaments, and expressions of the eight figures carved on its sides being elaborate in the extreme and exceedingly lifelike. Here again we notice a fresh racial type, which goes to prove that one Rh