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 "procreatrix," whilst he is undoubtedly a male deity. Huichaana, the creator of men and fishes, is, on the other hand, alluded to as "water," or "the element of water," and "goddess of generation." She is certainly the Zapotec female part of the creative agency. In the Mixtec creation-myth we can see the actual creator and the first pair of tribal gods, who were also considered the progenitors of animals—to the savage equal inhabitants of the world with himself. The names of the brothers Nine-Snake and Nine-Cave undoubtedly allude to light and darkness, day and night. It may be that these deities are the same as Quetzalcoatl and Xolotl (the latter a Zapotec deity), who were regarded as twins. In some ways Quetzalcoatl was looked upon as a creator, and in the Mexican calendar followed the Father and Mother, or original sexual deities, being placed in the second section as the creator of the world and man.

The Mexican Noah

Flood-myths, curiously enough, are of more common occurrence among the Nahua and kindred peoples than creation-myths. The Abbé Brasseur de Bourbourg has translated one from the Codex Chimalpopoca, a work in Nahuatl dating from the latter part of the sixteenth century. It recounts the doings of the Mexican Noah and his wife as follows:

"And this year was that of Ce-calli, and on the first day all was lost. The mountain itself was submerged in the water, and the water remained tranquil for fifty-two springs.

"Now toward the close of the year Titlacahuan had forewarned the man named Nata and his wife Nena, saying, 'Make no more pulque, but straightway hollow out a large cypress, and enter it when in the month Tozoztli the water shall approach the sky.' They 122