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 entire group, and this fact has led to some confusion in the minds of Americanists. But this does not mean that Chicomecohuatl was by any means neglected. Her spring festival, held on April 5, was known as Hueytozoztli (The Great Watch), and was accompanied by a general fast, when the dwellings of the Mexicans were decorated with bulrushes which had been sprinkled with blood drawn from the extremities of the inmates. The statues of the little tepitoton (household gods) were also decorated. The worshippers then proceeded to the maize-fields, where they pulled the tender stalks of the growing maize, and, having decorated them with flowers, placed them in the calpulli (the common house of the village). A mock combat then took place before the altar of Chicomecohuatl. The girls of the village presented the goddess with bundles of maize of the previous season's harvesting, later restoring them to the granaries in order that they might be utilised for seed for the coming year. Chicomecohuatl was always represented among the household deities of the Mexicans, and on the occasion of her festival the family placed before the image a basket of provisions surmounted by a cooked frog, bearing on its back a piece of cornstalk stuffed with pounded maize and vegetables. This frog was symbolic of Chalchihuitlicue, wife of Tlaloc, the rain-god, who assisted Chicomecohuatl in providing a bountiful harvest. In order that the soil might further benefit, a frog, the symbol of water, was sacrificed, so that its vitality should recuperate that of the weary and much-burdened earth.

The Sacrifice of the Dancer

A more important festival of Chicomecohuatl, however, was the Xalaquia, which lasted from June 28 to July 14, commencing when the maize plant had attained 86