Page:Myth, Ritual, and Religion (Volume 2).djvu/85

Rh In these Latin legends, as in the legends of Huitzilopochtli, the basis, as J. G. Müller sees, is the bird—the humming-bird in one case, the woodpecker in the other. The bird is then euhemerised or brought into anthropomorphic form. It is fabled that he was originally a man (like Picus before Circe enchanted him to a bird's shape), or, in Mexico, a man named Huitziton, who during the Aztec migrations heard and pursued a little bird that cried "Tinni," that is, "Follow, follow." Now we are all familiar with classical legends of races that were guided by a bird or beast to their ultimate seats. Müller mentions Battus and the raven, the Chalcidians and the dove, the Cretans and the dolphin, which was Apollo, Cadmus and the cow; the Hirpi, or wolves, who followed the wolf. In the same way the Picini followed the woodpecker, Picus, from whom they derived their name, and carried a woodpecker on their banners. Thus we may connect both the Sabine war-gods and the bird of the Mexican war-gods with the many guiding and protecting animals which occur in fable. Now a guiding and protecting animal is almost a synonym for a totem. That the Sabine woodpecker had been a totem may be pretty certainly established on the evidence of Plutarch. The people called by his name (Picini) declined, like totemists everywhere, to eat their holy