Page:Music Notation and Terminology - 1921.djvu/97

Rh 174. A folk-song is a short song sung by and usually originating among the common people. Its dominant characteristic is usually simplicity, this applying to word-text, melody, and accompaniment (if there is one). The text of the folk-song is usually based on some event connected with ordinary life, but there are also many examples in which historical and legendary happenings are dealt with. Auld Lang Syne, and Comin' thru the Rye, are examples of folk-songs.

There has been some difference of opinion as to whether a song, the composer of which is known, can ever constitute a real folk-song: recent writers seem to be taking the sensible view of the matter, viz.: that if a song has the characteristics of a folk - rather than an art-song, and if it remains popular for some time among the common people, then it is just as much a folk-song whether the composer happens to be known or not.

175. A madrigal is a secular vocal composition having from three to eight parts. It is in contrapuntal style, like the motet, and is usually sung a capella.

176. A glee is a vocal composition in three or more parts, being usually more simple in style than the madrigal, and sometimes having more than one movement. The glee may be either gay or sad in mood, and seems to be a composition peculiar to the English people.

177. A part-song is a composition for two or more voices, (usually four) to be sung a capella. It is written in monophonic rather than in polyphonic style, thus differing from the madrigal and glee. Morley's "Now is the Month of Maying" is an example of the part-song, as is also Sullivan's "O Hush Thee, My Baby." The term part-song is often loosely applied to glees, madrigals, etc.