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40 fists of its author, was not likely to be received with unalloyed approbation. Unfortunately he did not understand the proud timidity of the girl on whom he had laid the task. His other ladies did not mind a rebuff, and would do anything for a critic who praised them, as Mr. Bate had praised "Portia." As to a theatrical riot, they rather enjoyed it than otherwise, if it were not turned against them personally. Though treated to many a one afterwards, Mrs. Siddons never forgot this first experience. A band of prize-*fighters, supposed to be supporters of the parson's, burst into the pit, and, striking out right and left, silenced the would-be detractors of the play. On the next night both sides mustered in force, and the scene defied description. Officers in the boxes fought with gentlemen from the pit and galleries. The ladies were driven from the boxes, leaving them in possession of the combatants. Garrick, who appeared to try and appease the mob, had an orange flung at him, and a lighted candle passed close to King, who came from the author to announce the withdrawal of the piece. Even this statement had not the effect of restoring quiet until past midnight, when, weary with their exertions, the rioters dispersed. Next day all the papers abused the Julia of the piece, who had not been allowed a chance of making herself heard. "Mrs. Siddons, having no comedy in her nature," one said, "rendered that ridiculous which the author evidently intended to be pleasant."

On the 15th of February, Garrick again allowed her to appear; this time in Mrs. Cowley's Runaway—a slight but telling part, which caused one of her critics to say that she dropped into the walking gentlewoman, and was not permitted a long walk before she became