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Nothing, strange to say, retained any sap except what had been written for the passing day and year, without the remotest pretension or idea of permanence. There were a few old newspapers, and still older almanacs, which reproduced to my mental eye the epochs when they had issued from the press with a distinctness that was altogether unaccountable. It was as if I had found bits of magic looking-glass among the books with the images of a vanished century in them. I turned my eyes towards the tattered picture above mentioned, and asked of the austere divine wherefore it was that he and his brethren, after the most painful rummaging and groping into their minds, had been able to produce nothing half so real as these newspaper scribblers and almanac-makers had thrown off in the effervescence of a moment. The portrait responded not; so I sought an answer for myself. It is the age itself that writes newspapers and almanacs, which therefore have a distinct purpose and meaning at the time, and a kind of intelligible truth for all times; whereas most other works--being written by men who, in the very act, set themselves apart from their age--are likely to possess little significance when new, and none at all when old. Genius, indeed, melts many ages into one, and thus effects something permanent, yet still with a similarity of office to that of the more ephemeral writer. A work of genius is but the newspaper of a century, or perchance of a hundred centuries.

Lightly as I have spoken of these old books, there yet lingers with me a superstitious reverence for literature of all kinds. A bound volume has a charm in my eyes similar to what scraps of manuscript possess for the good Mussulman. He imagines that those wind-wafted records are perhaps hallowed by some sacred verse; and I, that every new book or antique one may contain the "open