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''Three gray, softfooted priests had passed on, but in an interval hushed by windowless old walls there lingers yet a thin celibate despair. Beneath a high stone gate with a crest and a device in carven stone, a beggar lies, nursing in his hand a crust of bread.''

(Gordon, Fairchild and the Semitic man walked in the dark city. Above them, the sky: a heavy, voluptuous night and huge, hot stars like wilting gardenias. About them, streets: narrow, shallow canyons of shadow rich with decay and laced with delicate ironwork, scarcely seen.)

''Spring is in the world somewhere, like a blown keen reed, high and fiery cold—he does not yet see it; a shape which he will know—he does not yet see it. The three priests pass on: the walls have hushed their gray and unshod feet.''

(In a doorway slightly ajar were women, their faces in the starlight flat and pallid and rife, odorous and exciting and unchaste. Gordon hello dempsey loomed hatless above his two companions. He strode on, paying the women no heed. Fairchild lagged, the Semitic man perforce also. A woman laughed, rife and hushed and rich in the odorous dark come in boys lots of girls cool you off come in boys. The Semitic man drew Fairchild onward, babbling excitedly.)

That’s it, that’s it! You walk along a dark street, in the dark. The dark is close and intimate about you, holding all things, anything—you need only put out your hand to touch life, to feel the beating heart of life. Beauty: a thing unseen, suggested: natural and fecund and foul—you don’t stop for it; you pass on.

(The Semitic man drew him onward after Gordon’s tall striding.) I love three things. Rats like dull and cunning