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 mured with sepulchral humorlessness and he fired it, averting his head lest he lose his eyelashes in doing so, and he lay once more, shading his eyes with his arm. The clock ticked on in the silence. It seemed to be directly behind him: if he could just roll his eyes a bit further back into his skull He’d better look, anyhow, after a while. After midnight only one trolley to the hour. If he missed the twelve o’clock car

So, after a while he did look, having to move to do so, and he immediately rose from the divan in a mad, jointless haste. Fortunately he remembered where he had left his hat and he caught it up and plunged down the stairs and on through the dark hall. He blundered into a thing or so, but the pale rectangle of the glass door guided him and after a violent struggle he opened it, and leaping forth he crashed it behind him. It failed to catch and in midflight down the steps he glanced wildly back at the growing darkness of its gap that revealed at the top edge a vague gleam from the light at the head of the stairs.

The corner was not far, and as he ran loosely and frantically toward it there came among the grave gesturing of tall palms a worn and bloodless rumor of the dying moon, and the rising hum of the street car crashed among the trees. He saw its lighted windows halt, heard its hum cease, saw the windows move again and heard its hum rise swelling, drowning his hoarse reiterated cries. But the conductor saw him at last and pulled the cord again and the car halted once more, humming impatiently; and Mark Frost plunged his long ungovernable legs across the soft slumbrous glare of polished asphalt and clawed his panting, ghostly body through the opened doors out of which the conductor leaned, calling to him:

“Come on, come on: this ain’t a taxi.”