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 “Julius!” exclaimed Mrs. Maurier. “The Soul’s hunger: that is the true purpose of Art. There are so many things to satisfy the grosser appetites. Don’t you think so, Mr. Talliaferro?”

“Yes,” Mrs. Wiseman took her brother up. “Dawson clings to his conviction for the old reason: it’s good enough to live with and comfortable to die with—like a belief in immortality. Insurance against doubt or alarm.”

“And laziness,” her brother added. Mrs. Maurier exclaimed “Julius” again. “Clinging spiritually to one little spot of the earth’s surface, so much of his labor is performed for him. Details of dress and habit and speech which entail no hardship in the assimilation and which, piled one on another, become quite as imposing as any single startling stroke of originality, as trivialities in quantities will. Don’t you agree? But then, I suppose that all poets in their hearts consider prosewriters shirkers, don’t they?”

“Yes,” his sister agreed. “We do think they are lazy—just a little. Not mentally, but that theirnot hearts—” “Souls?” her brother suggested. “I hate that word, but it’s the nearest thing” She met her brother’s sad quizzical eyes and exclaimed: “Oh, Julius! I could kill you, at times. He’s laughing at me, Dawson.”

“He’s laughing at us both,” Fairchild said. “But let him have his fun, poor fellow.” He chuckled, and lit a cigarette. “Let him laugh. I always did want to be one of those old time eunuchs, for one night. They must have just laughed themselves to death when those sultans and things would come visiting.”

“Mister Fairchild! Whatever in the world!” exclaimed Mrs. Maurier.

“It’s a good thing there’s some one to see something amusing