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 a scanty survival of the whole corpus of such tales which must have existed in this country. Of the seventy European story-radicles which I have enumerated in the Folk-Lore Society's Handbook, pp. 117-35, only forty are represented in our collection: I have little doubt that the majority of the remaining thirty or so also existed in these isles, and especially in England. If I had reckoned in the tales current in the English pale of Ireland, as well as those in Lowland Scots, there would have been even less missing. The result of my investigations confirms me in my impression that the scope of the English folk-tale should include all those current among the folk in English, no matter where spoken, in Ireland, the Lowlands, New England, or Australia. Wherever there is community of language, tales can spread, and it is more likely that tales should be preserved in those parts where English is spoken with most of dialect. Just as the Anglo-Irish Pale preserves more of the pronunciation of Shakespeare's time, so it is probable that Anglo-Irish stories preserve best those current in Shakespeare's time in English. On the other hand, it is possible that some, nay many, of the Anglo-Irish stories have been imported from the Celtic districts, and are positively folk-translations from the Gaelic. Further research is required to determine which is English and which Celtic among Anglo-Irish folk-tales. Meanwhile my collection must stand for the nucleus of the English folk-tale, and we can at any rate judge of its general spirit and tendencies from the eighty-seven tales now before the reader.

Of these, thirty-eight are märchen proper, i.e., tales with definite plot and evolution; ten are sagas or legends locating romantic stories in definite localities; no less than nineteen are drolls or comic anecdotes; four are cumulative stories; six beast tales; while ten are merely ingenious nonsense tales put together in such a form as to amuse children. The preponderance of the comic element is marked, and it is clear that humour is a characteristic of the English folk. The legends are not of a very romantic kind, and the märchen are often humorous in character. So that a certain air of un-romance is given by such a collection as that we are here considering. The English folk-muse wears homespun and plods afoot, albeit with a cheerful smile and a steady gaze.

Some of this effect is produced by the manner in which the tales are told. The colloquial manner rarely rises to the dignified, and the essence of the folk-tale manner in English is colloquial. The opening formula: are varied enough, but none of them has much